Rather glorious 2004 album by Guillermo Scott Herren. Possibly better known for his more hip-hop oriented project Prefuse 73, I prefer his output under this alias. Although the beats aren't too far removed from hip-hop, they are usually played live, and have a more jazzy swing to them. There is also abundant use of acoustic instruments, too. There are some marvellous acoustic bass lines on here too, especially the utterly brilliant 'Te Quiero Pere Por Otro Lado...', which is one of my favourite tracks of recent years. This album was co-written by Eva Puyelo Muns, who provides vocals on most tracks, often double-tracked or in chorus. They are very lovely, and an essential part of what makes this album so good. I can't help being reminded of the Brazilian pop and exotica of the 60s and 70s, and especially the Getz/Gilberto albums from that time. Also, there is a vividly sun-baked ambience and flavour of Spain where this album was recorded; and the heat-haze texture also calls to mind Sketches Of Spain. As well as the expertly marshalled acoustic instruments, what raises the quality of this music is Herren's use of electronics - he has a very deft touch: creating an intricate web of complementary sounds. Sometimes there is some restrained processing of acoustic instruments, but the outcome is a tightly defined and consistent sound. I daresay having that man John McEntire in the mix didn't hurt, either.
Buy this album, and his debut as S&S, 'Folk Songs For Trains Trees And Honey', which is also excellent.
Worlds made from nothingness.
4 days ago