Excellent slab of ominous, industrial dark ambient from these two purveyors of fine sounds, released in 1996. Both had beginnings in far heavier musics - Napalm Death in the case of Mick Harris, and although this is superficially a long way from metal, it could also be seen almost as its logical conclusion. This is uncompromising, and very heavy; but also beautiful and meditative: it can be used for wholly immersive listening, or as a background wash. It responds to the volume level - if you turn it up you are shaken by the wall of bass; at lower volumes it becomes spectral and sepulchral. The exception would probably be 'Collision', which reflects its title with some clashing industrial noise, but on the whole this is a brilliantly executed and intriguing exploration of dark soundscapes. The best example of which is the 20 minute title track, which manages to convey both dread and exultation at once with its churning sonics.
Worlds made from nothingness.
4 days ago