Laub were kind of electronica/post rock crossover who fitted nicely into a loose scene alongside To Rococo Rot, Kreidler; and labels like Payola, Kiff SM, and Kitty Yo - on which this album was released in 1999. These labels and artists are German, and the vocals, by Antye Greie-Fuchs are delivered in German, and it shares the live drums favoured by many of their contemporaries. There is a kind of detached iciness to the vocals that fits perfectly with the clean synths, crisp noises and crystalline tones underneath them. Delivered often in half whispered, or half spoken manner, they add a quiet and restrained intensity to the music. This intensity peaks and bursts forth in the epic title track. It begins with gorgeous pulsating harmonic synths, hi hats, and a keening, melancholy descending 3 note trombone line. Antye is joined by one of her male bandmates on vocals, their combined whispers giving the impression of some kind of ominous warning being delivered, or a description of some kind of ruined dream-like world from a Tarkovsky film. My German is poor - it's probably about something banal, but it certainly doesn't sound like it. The bubbling, resonant synths all the while are rising in the background, becoming more acidic. Some nicely understated guitar lines, and more horns propel the song further upwards. It's a wonderful track, not to dissimilar in overall mood to The For Carnation album, and makes an otherwise decent album completely worthwhile.
Worlds made from nothingness.
1 week ago