More trippy deep-space electronica from two of my favourite German artists, Khan and Walker, recording as Global Electronic Network. Released in 1994 on Mille Plateaux, and recorded in New York presumably just after Khan had relocated there: I don't know if the title 'Time Square' is intentional or not, as it's pretty apt. I have this on vinyl, and one half is a really nice picture disc with the classic Rolleiflex camera on it; unfortunately the 'Weltron' disc had to make do with a picture of the classic 8 track radio on the label, with coloured vinyl.
Time Square opens the cd, with an epic 15 minute hypnotic track, with great phased ambience swirling around in the background while a host of heavily reverbed analogue synths propel the track, whilst acidic flourishes and weird samples drift in and out. I can imagine these two hunched over their machines, bobbing up and down, twiddling knobs. The same goes for Time Square pt III, which is basically a spacy hypnotic club track; driven by restrained 303 bass and with just enough strange samples panning around to make this successful head music. The two Weltron pieces are short and abstract, where the analogue machines are put through their paces to extract weird and wobbling noises: probably the least diverting pieces.
The two Rolleiflex pieces take up 35 minutes of this album, and show Khan and Walker's creativity to the greatest effect. They are also the most outright trippy tracks on here. Rolleiflex part IV-VIII comes first, fading in the kind of classic Air Liquide/H.E.A.D beat - a shuffling and gentle 808 breakbeat, with bleeping and pulsing acid noises reverberating around, building up a real head-nodding groove. This fades out into some more disturbing and distorted territory, before a pulsing and ominous synth comes in, with what sounds like an acidified warthog trying to sniff your brains through your ear. These sounds hark back to classic German 70s electronica, and are glorious, and very cosmic. The 20 minute Rolleiflex I begins with an off-kilter beat, with some very odd metallic sounds scraping the brain cavity, as the FX units are tweaked. A gentle 303 bass takes over as the beats retreat, and high pitched bleeps usher in a raga like passage, before bubbling and syncopated acid lines come in to finish the track in suitable fashion.
A terrific album of trippy analogue electronica.
Worlds made from nothingness.
4 days ago