Deadbeat is Scott Monteith's electronic dub project, and this 2005 release perfectly encapsulates the gorgeous blend of surging bass, sweet melody, and shimmering ambience that is his trademark sound. Right from the beginning 'Slow Rot From Rhetoric' has a wispy, delayed weave of electronic sounds that builds up to the introduction of a gloriously monstrous bass throb, upon which a sweet, simple melody is introduced on a panned electric piano type keyboard, before the gently rocking rhythm sweeps the track away. The effect is head-nodding, blissful and spacious; yet the manipulation of reverb and delay, and various other knob twiddlery keeps the ears on their toes, so to speak, and keeps things interesting like the best dub should. 'Port Au Prince' introduces some spacy female vocals, some more glitch, and some chopped acoustic guitar samples. A faster, dancehall-styled beat gives the track a more propulsive edge, as it does on 'Texas Tea', but neither track really enters clubbable territory. The multi layered glittering, pointillistic bed of ambient sound that cocoons every track reaches a dense climax on the final, virtually beatless closer 'Habitat For Heavy Hearts', as cavernous and slightly mournful stabs fade into silence.
Worlds made from nothingness.
1 week ago