Phantomsmasher - Phantomsmasher

Phantomsmasher is the pet project of avant guitar master James Plotkin, who has collaborated with a large and fine array of weird-beard musicians, including harrowing mega-doom merchants Khanate. This album couldn't be further from Khanate's crawling, crushing music: it's often hyper fast, with the beats ranging from metallic blast beats to splattercore drum & bass style, played by grind master extrodinaire Dave Witte. It's severely ADHD, manic and brilliant. Smeared across the top are harshly edited and scratched vocal loops, and Plotkin's spangly clanging guitar and bass - often heavily processed, playing queasily grating riffs, and chords that tremble like metal pylons in an electrical storm. It's pretty harsh, and totally unhinged, but is great fun. Plotkin's level of invention on his instruments, and the crazy range of noises and brilliant editing keep up the interest, although the music can be challenging.

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Tipsy - Trip Tease

1996 album from duo Tim Digulla & David Gardner, with the help of a horde of musicians. This is a giddy and psychedelic fusion of the already-weird sounds of Les Baxter-styled exotica; mashed together with the then-current sounds of experimental trip hop and a palette of loungetastic horn stabs, vamps and not-so-E-Z casio-keyboard-gone-wrong plinky plonky cheezerama, soundtracking rictus-faced grinning flourescent zoot-suited 50s TV presenter-clowns on acid.
Marvellously executed - everything is played live by the en-suite musos, then sampled, looped, edited and generally manipulated into a freaky yet 'seductive' weird-out: a blend of swinging advert music for space-age fridges, bombarded with springy cartoon sound effects and twangy surf guitar. It's all joyous good fun, but with a real undercurrent of hallucinogenic displacement, which means it could cheerfully soundtrack any party population from Eleven Mustachioed Hipsters, to ultra-heavy hair-bear bunches.

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Evolution Control Committee - The Whipped Cream Mixes

Classic mash up action, in which ECC concatenate Herb Alpert and Public Enemy to fantastic effect. Masterfully edited, this inspired combination works like a dream - the key changes/bridges etc in Alpert's E-Z horn jaunts perfectly matching the phrasing of the rapping. Public Enemy should sound a bit silly after this treatment, but the mis-match is such a triumph that they actually sound cool.
Ripped from 7", this is pretty short, so I've included the WAVs and mp3s created by itunes in one folder (36mb), so you can do what you want with them.

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