2011 Favourites

A re-up of my best of 2011, with no major label 'product' stinking it up. I've just checked this list, and all the albums I've selected these tracks from are high quality, so do yourself a favour and pick one up. I've tried to pick a representative track in each case, but there's always Youtube if you want to explore these artists further.
Tracklist:

D Charles Speer - Markos's Cave (Arghiledes )
Deerhoof - Must Fight Current (Deerhoof vs. Evil)
The Haxan Cloak - The Fall (The Haxan Cloak)
Six Organs of Admittance - Light of the Light (Asleep on the Floodplain)
Byetone - Black Peace (Symeta)
Grails - Future Primitive (Deep Politics)
Ugandan Methods - Untitled (Mat Oput 1/2 Vinyl)
Le Révélateur - Age Maze (Fictions)
Locrian - The Crystal World (The Crystal World)
Mini Mansions - Kiddie Hypnogogia (Mini Mansions)
Oneida - Pre-Human (Absolute II)
Anima Morte - Devoid of a Soul (Face the Sea of Darkness)
Circle - Saarnaaja (Infektio)
Surgeon - Transparent Radiation (Breaking The Frame)
Seefeel - Sway (Seefeel)
Alexander Tucker - His Arm Has Grown Long (Dorwytch)
Evan Caminiti     - heavy whisper (When California Falls Into The Sea)
Bill Callahan - Baby's Breath (Apocalypse)
Kronos Quartet, Kimmo Pohjonen & Samuli Kosminen - Uniko: III. Sarma (Uniko)
Mind Over Mirrors - Round, Around (The Voice Rolling)
Master Musicians Of Bukkake - Prophecy Of The White Camel / Namoutarre (Totem Three)
The Fear Ratio - Ax (Light Box)

Currently posted on Depositfiles
Mirror:
Mediafire part 1
Mediafire part 2


I'll try and get this up on a mirror, soon, along with some previous years' best ofs.

Köhn - The Ocean That Has No West And No East

Just a Youtube clip this time - nothing to download. From the album 'We Need More Space In The Cosmos', which is excellent. Although this may be the standout track, it's a great album. Blissful, drifting space of the pastoral organic variety. I bought my LP from Aguirre, but they don't seem to have it in stock right now - it appears to be available on LP only.
Some sellers have it on Discogs 

Album cover:

 

Coil

I'm not sure what I'm going to do with this blog. There may be some re-ups, there may be some Youtube clips for newer releases, as I don't like to post whole albums until they've been out for a couple of years. Maybe I will edit my hissy fit below. (Maybe not, as I stand by everything in it.)
In the meantime, here is a re-upload of my personal selection of Coil favourites - it may differ slightly from the last one I posted, as I deleted that playlist from my itunes.
This is music that has consistently blown my mind and transported me every time I have listened to it over the years. Balance and Sleazy were two wizards of aural delight, and are still sadly missed, I'm sure, by many around the world.

You can download and unpack these files separately. Depositfiles is the host.

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Various - White Dot Music Best of 2011

Message to fucking arseholes representing Graveyard or their label. There is no Graveyard in this post, nor will there ever be in any future post, should there ever be one; just as I will never purchase anything relating to Graveyard, or anything on your label. There was no Graveyard either in this post, or the Mediafire links when you reported them all. I specifically removed anything related to a major label, then re-posted.
However, being the utter cunts that you are, you felt the need to report this blogpost, and links, which contained nothing related to you or your label; therefore which you had no legal stake in. Now my mediafire account has been suspended, all links are dead, and you have ruined a blog designed to introduce people to obscure music. Good job.
Nuclear Blast, folks. This is what you get when you sign a distribution deal with a major - you suck major cock.


3 month posting gap, blimey. Here's a kind of best of 2011 - there's a few omissions, like Radiohead, and Innercity's Terrestriality, which is a great album, but I don't have it on mp3. I've left off some metal, too - not a vintage year for metal, but I've also been listening to lots on older metal. I would say my favourites of the year were Ulcerate, Rwake, Cannabis Corpse, Azarath, Trap Them; and probably my favourite - Glorior Belli - The Great Southern Darkness. I've also been listening to tons of techno, and hope to get a mix together of recent stuff.
Best albums of 2011:
Bill Callaghan - Apocalypse
Grails - Deep Politics
Byetone - Symeta
Kronos Quartet, Kimmo Pohjonen & Samuli Kosminen - Uniko
The Fear Ratio - Light Box

What's left then? Lots of psych-synth-space rock. This is a slightly smaller list than the one I originally posted, which got reported because because because tiresome bollocks. Hopefully nothing on this list now contains anything tainted with a major label or distributor. If you are going to spend cash on music, don't buy anything on a major - support the independents, and buy direct from bands wherever possible.

1. D Charles Spee r - Markos's Cave (Arghil edes )

2. Deerhoo f - Must Fight Current (Deerhoo f vs Evil)

3. The Haxan Cloa k - The Fall (The Ha xan Cloak)

4. Six Organs of Admitt ance - Light of the Light (Asleep on the Floodp lain)

5. Byeton e - Black Peace (Sym eta)

6. Grail s - Future Primitiv e (Deep Po litics)

7. Uganda n Methods - Untitled (Mat Opu t 1/2 Vinyl)

8. Le Révélateu r - Age Maze (Fictio ns)

9. Locria n - The Crysta l World (The Crystal Worl d)

10. Mini Mansion s - Kiddie Hyp nogogia (Mini M ansions)

11. Oneid a - Pre-Human (Absolute II)

12. Anim a M orte - Devoi d of a Soul (Face the Sea of Dark ness)

13. Circle - Saarnaa ja (Infektio)

14. Surgeo n - Transparen t Radiation (Break ing The Frame)

15. Seefe el - Sway (Seefee l)

16. Alexand er Tuck er - His Arm Has Grown Long (Dorwy tch)

17. Evan Camin iti - heavy wh isper (When Califor nia Falls Into The Sea)

18. Bill Callaha n - Baby's Breath (Apocalypse)

19. Kronos Quarte t, Kim mo Pohjonen & Samu li Kosmin n - Unik o: III Sarma (Un iko)

20. Mind Over Mirror s - Round, Around (The Voi ce Rolli ng)

21. Master Musicians Of Bukkak e - Prophec y Of The White Camel / Namou arre (Tote m Three)

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Genre for these tracks = 'white dot 2011'

You need both parts to unpack.

Zombi - Spirit Animal

Excellent grooving synth-prog rock-out from 2009. Obvious comparisons are John Carpenter and Goblin, but with a more toughened up and streamlined sound - propulsive drumming and metal/post rock bass drive along the layers of vintage synth sweeps and arpeggios. The tracks also tend to be longer than the aforementioned people, who generally composed shorter pieces for soundtracks. On this album are lots of epic instrumental songs that evolve and develop, change pace; ebb, flow and build to sometimes euphoric peaks. This duo has a great sense of melody to back up their obvious musical skill, and they aren't afraid to chuck in a suitable key change when necessary, which makes this a wholly satisfying listen, rather than just an apreciation of old synths and cinematic references. It's brilliantly conceived and performed, and hugely enjoyable. Also, highly recommended for driving.
Most of their stuff is frustratingly out of print and expensive on LP, you may still be able to find their excellent new album 'Escape Velocity' on vinyl. Also available on cd as well as various Ts etc - buy direct from Relapse

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Pharaoh Overlord - IV

Time to get posting again, now that my insanely busy time has passed. This may involve writing a bit less about the albums from time to time, and this one is a prime candidate for less words/more music.
PO are essentially Circle, and to be honest there is not a great deal of difference between this and normal Circle music, except that this is maybe more overtly metal: 'See Me Evil' definitely has essence of Judas Priest. Don't let that put you off, though, because this has all the deranged atmosphere, heavy cyclical riffing and general psychedelic miasma that makes Circle so awesome.

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Michael Rother - Sterntaler

From 1978, this is the second solo LP by the Neu guitarist. He is quite clearly revelling in his freedom to be both more expansive, and more tuneful than he generally was in Neu. He has a good ear for melody, and the tunes on this album are very redolent of the period, too. Sometimes the songs veer toward the wistfully epic, especially combined with the driving, post-Kraut rhythms, which almost prefigure the headband-wearing sleeves-on-the-jacket-rolled-up excesses of bombastic 80s rock. However, these tracks always stop way short of cheese, because they are gorgeous, and because the love and enthusiasm of Rother is always shining through. Also it has Jaki Liebezeit on drums, but more importantly, is produced by Krautrock superhero Conny Plank, and therefore sounds lush, luminous and beautiful. What you have, then, is a set of guitar-led intrumentals with glorious melodies over driving, minimal grooves with shimmering, spectral synths, and it is rather wonderful.
I've seen Michael Rother play live with Moebius a couple of times, back in the early 2000s when Moebius was still using lots of analogue synths. They were both excellent gigs, but definitely had moments high on the cheese-ometer as Rother went into guitar hero mode, before reining himself in as the track gradually morphed into some warped analogue noodlings. They seemed to be semi-improvised sets, and hopefully they will team up again in the future.

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Ufomammut - Godlike Snake

I haven't posted any metal for a while, so here is some uber-heaviness. Ufomammut are an Italian 3 piece, augmented live and on record by tapes of theremin, synth drones and movie samples. They specialise in a kind of pounding psychedelic stoner sludge, which is most effective live. I would say they were the second best live act I saw last year - a close second behind The Master Musicians Of Bukkake. They achieve their superb effect with repetition, tightness and dynamics, as well as the aforementioned atmospherics; but they also have a mean guitar sound - ultra heavy and bludgeoning. Their grasp of dynamics is becoming more consummate with every album, as far as I can tell: the last album 'Eve' is basically a suite of tracks that don't deviate a great deal from the main blueprint, but it works fantastically as a whole, and is thoroughly recommended. This one is their debut from 2000, and is out of print - it's a good place to start, and a brilliant slab of mammoth spaced-out sludge groove.

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EDIT: Ufomammut are playing in London on Thursday October 6th - the Purple Turtle in Camden. I highly recommend this gig if you like all things heavy and psychedelic!

Chrome - Blood On The Moon

Weirdo sci-fi new wave proto-punk from 1981. Edgy and slightly deranged, primitive grooves and processed vocals abound, with heavily phased, fucked and flanged keyboards and guitars panning around the mix. This falls somewhere in the middle between Simply Saucer and Weird War, with bits of Devo, Hawkwind and Low-era Bowie (or his band, at least) thrown in. It's all delivered with speed paranoia post punk energy, and speared through with searing guitar lines, and littered with enough kosmiche debris to make it freaky and unique.

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Various Artists - 2009 favourites

I was just putting together a best of 2010, and realised I never posted my 2009 version, so here it is. The picture is unrelated - just a good one I took last year. I probably would have had more to say about these tracks if I'd done this post at the time. I do remember that Various Production ft. Gerry Mitchell 'The Invisible Lodger' was my album of the year - I highly recommend it. Actually, looking at these tracks, they were all from excellent albums - something that cannot be said for my 2010 selection - these were all pretty good albums.
You can find these in itunes by album artist, which is 'White Dot 2009'.

2009 tracklisting:

1-Various Production feat. Gerry Mitchell: This Invisible Blood (The Invisible Lodger)

2-Oneida: Luxury Travel (Rated O)

3-Lord Newborn and the Magic Skulls: Escape From Prism (Lord Newborn and the Magic Skulls)

4-Valet: Blood Is Clean (Blood Is Clean)

5-Bardo Pond: Silver Pavilion (Peri )

6-Fever Ray: If I Had A Heart (Fever Ray)

7-Alva Noto: Xerrox Tek Part 1 (Xerrox Vol. 2)

8-Wolok: Transubs(a)tantiation (Caput Mortuum)

9-Various Production feat. Gerry Mitchell: A Hole In Your Memory (The Invisible Lodger)

10-Alexander Tucker: Bell Jars (Portal)

11-Cave: Made in Malaysia (Psychic Psummer)

12-Oneida: What's Up, Jackal? (Rated O)

13-Shackleton: Let Go (Three EPs )

14-Ben Frost: Peter Venkman Pt II (By The Throat)

15-Bill Callahan: Eid Ma Clack Shaw (Sometimes I Wish We Were An Eagle)

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Since Blogger decided to remove my best of 2010 this posting looks faintly preposterous. Ho hum.

Circle - Prospekt

Another great Circle album: I'm uploading this because they have a new album out called Rautatie which you should buy from Ektro Records, as it's excellent. It's like a summation of all the threads of their sound: it has the weird ethereal avant-metal atmospherics they perfected on Katapult; it has spaced out jams in weird time signatures; plenty of deranged vocals; and in 'Vaellus', a magnificent anthem that seems to perfectly embody the New Wave Of Finnish Heavy Metal tag that Circle have bestowed upon themselves: it's epic, glorious, slightly weird - with tightly rocking instrumental passages in 7/8 which build the tension before that tune powers back in with fists raised.
Prospekt, from 2000, is definitely from the spaced jam end of the Circle spectrum. First track 'Dedofiktion' has some fabulous freaky vocals as it charges towards meltdown, but the rest of the album mainly consists of Krautified loop-jams with confusing time signatures that suck in your mesmerised brain. Often they will build up a groove with chugging bass and fuzzy synths until you think you have nailed the rhythm in your head; then they bring in some guitar stabs that sound like they are being played to another rhythm. On 'Stimulance', they just pound along in monster fuzz 5/4 until the mind threatens to melt. 'Varhain' confirm's Egg's assertion that seven is indeed a jolly good time. The album ends with a pair of 10+ minute jams, and some chanted vocals, that just confirm Circle's mastery of confounding space rock jams.
Also, this album is out of print and rather expensive.

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Salaryman - Salaryman

1996 album on City Slang by this bunch of geeky-appearing bods (I saw them live), that seems to have disappeared into a historical crack. Sumptuous psychedelic grooves abound, with a plethora of overdriven synth lines and a heavy, over-arching sci-fi ambience. Live drums are the driving force, with a backdrop of whispered speech loops, but the trippy looped synths are the stars - pulsating blips and burbles alongside moody throbbing tremelo waves. A live band feel adds a sense of urgency to the sci-fi paranioa soundscapes, and indeed they were pretty good live. It's all good, but closer 'Hummous' is a highlight, with its squalling harmonics and heavy drone dirge; bettered only by the magnificent 'Voids And Superclusters', which lives up to its stellar title: a swirling black hole of churning synths, that has an almost Electric-Wizard-heavy moment as the pounding bass kicks in to glorious, stomping effect.

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Emeralds - Solar Bridge

There's a fair amount of hype about these space/psych dronesters at the moment. Is it deserved? If you like rich, syrupy waves of gorgeous synth; rasping and rippling space reverberations; the sound of consciousness cast adrift in the singing cosmos, then yes, it is. Utterly lovely, spaced-out and mesmerizing: this is a two track, 27 minute release from 2008.
Do yourself a favour and buy a copy of this, or more of their releases from Hanson Records - the self titled album and 'What Happened' are both highly recommended, and are pretty cheap, especially if you're in the States.

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Grails - Burning Off Impurities

Grails are a psychedelic instrumental band from Portland, and this is one of many excellent releases by them, from 2007. They specialise in a hazy, drifting, shuffling kind of post rock forged from ostensibly cliched components - reverby psych guitar, eastern cadences and a smattering of acoustic instruments (sitar, mandolin, piano); all held together with gummy resin from the inside of a bong. The whole adds up to much more than the sum of the parts, convincingly delivered at a perfect pace, with a masterful grasp of ambience and dyamics. They often rock out as a counterpoint to the glowing ambient parts, but never with a wall of heavy guitars, which is quite refreshing, despite how much I love heavy guitars. Brilliant stuff - you can buy loads of Grails stuff from Temporary Residence.

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Olivia Tremor Control - Dusk At Cubist Castle

Also known as Music From The Unrealized Film Script "Dusk At Cubist Castle", from 1996, this is a lovely, unashamedly retro slice of kitchen-sink psychedelia, of a similar variety to Dukes Of Stratosphear - particularly their '25 O'Clock' mini LP. Like the Dukes, OTC display a massive Beatles influence, with some terrific harmonies, and some gloriously tuneful songs. There are also loads of counter melodies on fuzz bass, little backward tape loops, weird intrumentation, phased vocals, and that's just on 'Define A Transparent Dream'. Things reach a peak with a wonderful trio of songs in the middle: 'Memories Of Jacqueline 1906' is a fab song that could have come from Ween's Mollusk, which breaks down in to the deeply psychedelic jam of 'Tropical Bells', with chugging raga fuzz and hookah bubbles. This segues into a classic Nuggets type eastern tinged groover called 'Can You Come Down With Us'. A suite of 9 tracks, all called 'Green Typewriters' follows, comprised of ever weirder sketches, where they indulge their more experimental side, with some chaotic and trippy moments - treated vocals, drones and sci-fi noises with a pulsing and spooky 9'40" track that sounds like the tour of the bowels of an alien spaceship, which is full of weird things hiding.
A hugely enjoyable combination of smoked out psych and great pop. Also recommended is 'Black Foliage'.

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Bardo Pond - Set And Setting

I love Bardo Pond - a fuzz/drone/psych/space ensemble, heavy on the bongtastic distortion and wasted atmospherics. Their particular formula is a lush, sludgy, hedonistic sounding one that especially appeals to me. Isobel Sollenberger's drawled vocals aren't too dissimilar to Kim Gordon's, and perfectly fit the super-loose, bluesy psych-fuzz riffs. First track, the 11 minute 'Walking Stick Man' sets the tone in wonderful fashion: a swaying groove churns along, with perfectly damaged vocals, and a wall of glorious fuzz, helped along by Sabbathy harmonica: it's a woozy worshipful hymn to the power of distortion and the guitar. Actually, the whole album is. 'This Time, So Fucked' steps it up a notch, with some wailing wah fighting off feedback. There is a bit of variation - the disembodied and detached 'Datura' is on the verge of descending into shaking-eyed psychosis, and is following by the chugging and thunderous rock out of 'Again', before the 9+ minute 'Crawl Away' returns to the meandering, head nodding fuzz waves. If you like this, check out 'Peri' and 'Amanita', although all their albums I've heard are pretty good.

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White Rainbow - Prism Of Eternal Now

Rather superb space-psych from one man band Adam Forkner. The fabulous opener 'Pulses' is a real statement of intent - bongos and shakers usher in a fat analogue synth riff, which is soon accompanied but some fantastic looped vocal ejaculations - referencing the kind of 70s art rock/serialism of Laurie Anderson, and some kind of ecstatic stereo pan sect. Then in come the stratosphere-scraping lead synth and guitar(?) and the track takes off into space, with some more chanting for company. Gorgeous and sublime freakery. Although it's possibly the highlight, every track on this album is excellent - there are lushly cosmic ambient washes like 'Waves', 'Awakening' and 'Middle' - flotation tank splendour. There is more wild and driving psych in the shape of 'Mystic Prism', and further expansion of the sound in the electronic dubby textures of 'Warm Clicked Fruit', which brings to mind the warmly enveloping digital pulsations of deadbeat and Vladislav Delay. There is another fantastic avant synth exploration in 'For Terry' (Riley), which has a similar fat mid range analogue synth wobbling along in a strange out of time sequence, while a high pitch line oscillates and flutters upwards. Then some beautifully processed lead guitar comes in, recalling mid-70s Fripp, and a more rocking take on his collaborative albums with Eno.
Luscious and deeply psychedelic, this is a real recent favourite of mine. This and the more recent White Rainbow album are available from Kranky: what a brilliant label - so much good music. Go there and buy something direct from them.

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Sonic Boom - Spectrum

Sonic Boom's first solo album after leaving Spacemen 3 continues in pretty much the same vein, and has some really great stuff on it. The kind of wasted-on-drugs/gospel vein runs through virtually all of Sonic and Jason's work, borrowing liberally from blues music (Lonely Avenue); although in this case the presentation is pretty lo-fi, with drum machines and trashy organ accompanying the fuzz and reverb guitar. The formula is often incredibly simple, as on 'You're the one' - a simple riff is repeated, and the layers of fuzz guitar/organ are gradually turned up until the tune is rocking nicely. The only track that deviates slightly is my favourite track on the album, a masterpiece, and a worthy successor to 'How Does It Feel' from 'Playing With Fire'. It has a flotation tank feel, with a heartbeat-like pulse, some guitar loops, and distantly spaced keyboards. Occasional descending bass notes, chimes, and some brilliant use of reverse echo embellish this moody yet blissful track. It really does evoke the feeling of someone drifting off this mortal coil in an incredibly smashed state.
I saw Sonic Boom perform this a couple of years back - it was pretty special, even though his vocals haven't really improved over the years ( I like them for what they are). I can also recommend seeing the current incarnation of Spectrum. I saw them last year and they were excellent: it was a joy to behold excellent live versions of 'Transparent Radiation' and 'Revolution'. I was lucky enough to see Spacemen 3 once, and I must have seen virtually every spin off band since, including Spectrum in 1990, and even The Darkside. I seem to recall that Sonic supported My Bloody Valentine at ULU, accompanied by some bloke with a harmonica.

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Boredoms - Chocolate Synthesizer

Another band I saw recently, although their current incarnation sounds quite different to this album from 1994. They currently play with varying amounts of drummers (7 the other night), and churn out a kind of bludgeoning performance art space rock. Main man Yamatsuka Eye had a pretty cool multi-necked guitar totem thing, which he would bong occasionally with his wand.
Ideally the picture of this would be here, and not at the top, but I can't get blogger to upload pictures where I want them to go, which fits in nicely with the general air of retardation that imbues this album. It's full of greasy mong-riffs and guttural imprecations, screaming derangement, bursts of noise, hardcore style rock outs and general freakish lunacy. Probably best not listened to with a raging hangover, at all other times this is great fun, and often hilarious - generally for the nutty vocals: 'Smoke 7' is a particular favourite. The cover gives a good impression of the music, prompting the question 'What the fuck is going on?'

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Gong - You

This blog has now been going for a year! There is no better way to celebrate this anniversary than by posting one of my all time favourite albums.
This was released in 1974, and is third in a trilogy of albums that also includes 'Angel's Egg' and 'Flying Teapot', both of which are excellent, and highly recommended, as is 'Camembert Electrique' which precedes them. This album, though, I think is the pinnacle, both of Gong's output, and psychedelic/space rock in general. The playing throughout is absolutely masterful; and the arrangements are completely brilliant. There is a fair amount of silliness, it is true, but I love every second of it, and it helps create the dramatic dynamics that drive the album along. The way that the two short whimsical opening tracks segue into the very spaced out chanting of 'Magick Mother Invocation' which becomes the blistering, heavy progged out space rock of 'Master Builder' is magnificent. Steve Hillage is on fire here, and the bass and drums pretty much rival the heaviness and technical excellence of early 70s King Crimson. Also, the horn/wind playing of Didier Malherbe is an absolute delight. The key element that completes sound is the brilliant use of synths, which are particularly showcased on the next track 'A Sprinkling Of Clouds', where they beautifully build up a trippy spacescape which leads into another heavy freak out. The interplay of Daevid Allen and Gilli Smyth's vocals, another great feature of Gong, is shown on the next short track 'Perfect Mystery', which also has some awesome drum fills from Pip Pyle. The last two tracks are an excellent long jam with a terrific groove, allowing some extended solos; then a real Gong masterpiece in 'You Never Blow Yr Trip Forever' winds down the album perfectly. Awesome stuff. I still get pure unadulterated joy from listening to this, 18 or so years after I first heard it.

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